Sunken into a pond in Hefei City, Anhui Province, China, the pavilion was made from 469 bespoke pieces of metal CNC-cut in different sizes and precisely and bolted together.
‘It's not hybridisation. It's a great model for our globalised era.’ At the core of Cho’s concept sits the idea of ‘bridging’ or combining, putting things (physical elements, cultural ideas) together.