Peter Gelb thinks “experimental” music leads to dwindling audiences, but performances around the country suggest otherwise.

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Renée Fleming makes her highly anticipated return to the Met in the worldpremiere production of Pulitzer Prizewinning composer Kevin Putss The Hours adapted from Michael Cunninghams acclaimed ...

Stroll through the courtyard of the Metropolitan Opera House even if you're not going inside for a performance. Every element of this opulent building – from the limestone architecture ...