In Andy Goldsworthy: Art from the 1980s to the 2000s. His Rain Shadows (1984– ) involved lying down on the ground just before a rainfall and remaining in that spot until the rain stopped, thereby creating a “shadow” in the shape of his body, which he then photographed. In the 1980s Goldsworthy worked often with snow… Read More

Colebrook Quarry Rain Shadow https://vimeo.com/placeholder Colebrook Quarry Rain Shadow.Tasmania 28 February 2024

2015年10月8日 · In one piece, he used twigs to fashion a giant spider web hanging from a tree. In another, he decorated a stone wall with sheets of ice. He has also lain in the rain to create "rain shadows" in...

Rain Shadow, Times Square. Rain Shadow, Times Square is one of the latest examples of Goldsworthy's series of body imprints. He started this series in the mid-1980s and it soon became an obsession.

2013年8月10日 · Browse 27 artworks by Andy Goldsworthy on Arthur.

Andy Goldsworthy: Rain Shadows. The Rain Shadows were produced at various moments in the artist’s career and in a variety of environments, both rural and urban. These ephemeral works do not last for very long and the only records we have of them come in the form of photographs.

Goldsworthy's Rain Shadow differs in the fact that this one is made in the urban setting of Times Square. This work highlights " the fact that human beings, even while ensconced in urbanity, still inherently coexist with nature.

The exhibition at Galerie Lelong will include nine photographic suites, a triptych of “rain shadow” videos, and a sculptural installation made of dirt collected from the city streets. The exhibition will open to the public on Thursday, May 6 from 6 to 8 pm, and the artist will be present.

2015年10月9日 · In one piece, he used twigs to fashion a giant spider web hanging from a tree. In another, he decorated a stone wall with sheets of ice. He has also lain in the rain to create "rain shadows" in the shape of his body on city streets. Goldsworthy refers to his creations as "ephemeral works."

Weeks of rain were followed by a few days of dry, sunny and cold weather. I stood still alongside the fallen tree with the sun on my back and my shadow cast onto its trunk, branches and a nearby hawthorn bush – for between ninety and forty minutes each time, watching my shadow move in the direction the tree fell and the stream that flows ...