The artists of Kha'po Owingeh (Tewa: [xɑ̀ʔp’òː ʔówîŋgè]), also called Santa Clara Pueblo, and of P'ohwhóge Owingeh (Tewa: … 展开

Five generations of potters of the Tafoya family of Kha'po Owingeh have been producing incised blackware and later, smooth-surfaced black-on … 展开

In the 1920s the San Ildefonso (Pueblo P'ohwhóge Owingeh) black-on-black style began to flourish due to the work of Maria and Julian Martinez, and several artists were inspired by Nampeyo (1959–1942), of Hano, a Tewan pueblo on the East Mesa of 展开

• Pueblo pottery
• Ceramics of indigenous peoples of the Americas
• Pit fired pottery
• Pottery of the American Southwest
• Visual arts by indigenous peoples of the Americas 展开

In 1910, María Poveka Martinez and her husband Julián of P'ohwhóge Owingeh are credited with originating a non-incised, smooth-surfaced polished-black on matte-black technique. Their technique involves making blackware using a fine-grained clay body fired in a cow … 展开

Several contemporary artists have created works honoring the pottery of their ancestors. As a tribute to María Martinez and to Northern New Mexico's car culture, Rose Bean Simpson, a contemporary sculptor and second-generation Santa Clara Pueblo ceramic … 展开

• Peterson, Susan, The Living Tradition of Maria Martinez, Kadansha International Ltd., 1977, ISBN 0-87011-319-4. Includes extensive black-and-white … 展开