Southern Song society was characterized by the pursuit of a highly aestheticized way of life, and paintings of the period often focus on evanescent pleasures and the transience of beauty. …

2001年10月1日 · The cultivation of a tranquil and detached mind free of material entanglements was a common concern of Song Neo-Confucian philosopher Zhu Xi (1130–1200): the …

Muqi or Muxi (Chinese: 牧谿; Japanese: Mokkei; 1210?–1269?), also known as Fachang (Chinese: 法常), was a Chinese Chan Buddhist monk and painter who lived in the 13th …

Trends in painting styles amongst the gentry notably shifted from the Northern (960–1127) to Southern Song (1127–1279) periods, influenced in part by the gradual embrace of the Neo …

Liang Kai served as a painter-in-attendance at the Song Imperial Painting Academy in Hangzhou from about 1201 to 1204; he relinquished that prestigious position to live and paint at a Chan …

Influenced by the Chinese Song and Yuan dynasties, Japanese monochrome ink painting called suibokuga largely replaced polychrome scroll paintings. By the end of the 14th century, …

Study with Quizlet and memorize flashcards containing terms like southern song, Painter Ma Yuan's album leaf On a Mountain Path in Spring, Zhou Jichang's Arhats Giving Alms to …

Japanese patrons admired fine Chinese Longquan celadon wares from the time they were made, in the Southern Song dynasty.

Fine ceramics from the Northern Song and Jin dynasties, particularly high-fired wares from the Ding kilns, celadon wares from the Yaozhou kilns and Cizhou stonewares have been …

The Japanese name kinuta, refers to a mallet, as these are regarded as mallet-shaped vases, and were imported into Japan in the Southern Song (1127-1279) and Yuan (1279-1368) dynasties.